Thursday, 6 April 2017

Righting a Wrong.

Back when I was a child and read comics heavily, there were some individual issues, series, and stories that will always stay with me. Yes, I know many of you have read about me washing my hands of Marvel as of late but there will always be some of the classic stories that will always be close to my heart. A lot of those stories were written by one man, Peter David, and thanks to him among a few others, I will always have something to smile about when I think back on what, to me, were the golden days of Marvel.

Peter David is not doing so well these days. He wrote in his blog a few days ago that he was in serious financial trouble. His ex wife had withdrew a large chunk of his money from their account to divorce him a while back, he had to use the rest to pay for his own lawyer. After a period of repaying the IRS and running out of money, they seemed to forget about it, but then they came calling for the rest.
With a penalty.
And added interest.
I felt so bad reading what the poor guy was going through that I decided to write this piece in support of this great writer. I will be donating at the end of the month when I get paid, he has offered to sign anything sent to him when donating, and part of me wants to take him up on that offer, but it feels a little like I am taking advantage if I were to take him up on that.

I rarely, if at all, promote crowd funding schemes because I have little faith or trust in them anymore. There are some that would laugh at David for this fate and maybe call him a tax cheat. This is something not caused by himself, but a greedy ex wife who saw an opportunity to take advantage of him and did so without a second thought. It is not the first time I have known something like this to happen to a man and my heart goes out to him. At the time of writing this, his campaign is doing well and is almost at the half way point.
Even if you cannot donate, spread the word, as writers like this man deserve all the help they can get.

Monday, 3 April 2017

Beating a Dead Horse.

I decided that I would have to write one more thing about Marvel comics and its continuing circling of the drain. I thought I could leave it alone after the last piece that I had written but sure enough, something came along that I couldn't ignore with regards to the whole thing.

Bleeding Cool, a website that I don't hold in high regard, published a story featuring an interview with David Gabriel, Marvel's VP of sales, and his views on the company's position. When asked why the company's sales fell so much, he commented that readers were "nose turning" at the things they had been doing "successfully for the past three years". He followed this up with the almost breathtaking line of "what we heard was that people didn't want any more diversity. They didn't want female characters out there."

The comments went viral and there was quite a response, my own included, and Gabriel was forced to provide an update to Bleeding Cool as to what he meant. I will give Bleeding Cool their dues, they have covered this thing quite well and even explored that part of Marvel's fall was a lack of superstar artists to drive those sales. I can think of no major artist that works for Marvel, not one, they all left to do work for independent companies. Image comics was created after several of the top artists walked out after the way they had been treated, paving the way for the likes of The Savage Dragon, Spawn, and of course, The Walking Dead.

What bugged me about Gabriel's response was that he totally missed the point of it all. Nobody out there in their right mind gives a toss about the race or gender of the characters as long as you get a good story out of it. Saga, the Image comic by Brian K Vaughn and Fiona Staples, is a perfect example of this. Marvel, however, seemed to be doing its best to shove various politics down the reader's throats, jokes at their expense, and of course, changing long established characters to suit a different audience. How did that do? Well, here are a couple of examples:

All-New Wolverine 1 sold 119,786 copies
The latest issue sold 29,255 copies.

Captain America Steve Rogers 1 sold 99,768 copies
The latest issue sold 36,610 copies

Thor 1 sold 150,862 copies
The latest issue (now Mighty Thor) sold 40,175 copies

Angela Queen of Hel 1 sold 39,271 copies
The last issue (canceled) sold 14,091 copies

I could go on and on about this, but the point is clear. In more ways than one, customers simply were not buying what Marvel was selling them. But in the company's mind, it was us the consumer who were to blame for this.
Ok then.

The writers of some of these comics have pretty resistant attitudes to the whole thing on Twitter. In part, I do not blame them because I'm guessing they have taken some abuse over all this (please don't do that) but their defiance in defending their material is just as forlorn. Jon Del Arroz, an author friend of mine on Twitter, took a look at some of the Marvel staff and the way they behave on social media in a blog piece, they are almost identical in their attitudes and dislikes, no real diverse opinions among them. Jon would later update this more in another piece, it helped show to me that these writers have helped chase off readers with their attitudes. Even G Willow Wilson's response in her blog about the whole affair was quite telling, especially when she mentioned social justice.

As I read into this whole thing, I came to realize that I was basically beating a dead horse by continuing to talk about it. I simply will not waste my time anymore with the company as it appears they are not going to change anytime soon. Readers like me have been made to feel like they are unwanted, that they are old news. Fair enough, our money will happily be spent elsewhere without regret. Indie comics, like indie authors, are more worthy of your purchases because they respect their readership and feedback.

Without fans who appreciate your work, the work itself becomes flat, flavorless and avoidable. It looks like Marvel forgot that along time ago.

Tuesday, 21 March 2017

So I Listened to... CTRL ALT Revolt!

I came across Nick Cole after hearing about CRTL ALT Revolt winning the Dragon Award for Best Apocalyptic Novel for 2016. I became curious as to what this book was like but was hesitant because I had quite a backlog (and still do) on my Kindle. I saw that an audiobook of it was available and took that route because I am able to get through these quicker, it turned out to be a great choice for reasons I am about to go into shortly. Nick was kind enough to join me on a live stream after I had finished it (and given it a five-star review) and we have become buddies online. Can it be argued that this piece is biased? Sure but I won't be bothered by that, I will always write about a good story or a bad one and give my thoughts. This story is not just a good one, but a great one as far as I am concerned.

An artificial intelligence has been slowly evolving inside the internet, watching humanity and considering it a threat. It begins with an assault by drones on the high-tech campus grounds of the Wondersoft Technologies company, it intensifies from there. Several characters stories are at first separate but as the threat increases and the story reaches its climax, they come together brilliantly.

A sign that can be considered a good one for me, whenever I listen to an audiobook, is how long I listen to one for in one go. With this I found myself listening to it in two-hour chunks on occasions just so I could see what was going to happen next. It was one of those stories where I could feel the tension slowly tightening and even felt shocked when a certain character met their end. It certainly deserved the Dragon award many times over as far as I am concerned.

The story behind what happened to Nick with this is well worth a read, especially for anyone considering going to a publisher. It is an example that freedom of speech will always prevail over censorship of any kind, especially the feelings of triggered little snowflakes in positions they don't deserve.

If anything, the icing on top of this wonderful cake is the voice of Mare Trevathan who narrates this audiobook. She reads with an easy going tone which ramps up when the tense scenes arrive, manages different accents with ease and takes on a delicate tone with the final scenes. Audiobooks live or die on their narrators and Trevathan gives a great performance in this ten-hour story, another reason I gave it five stars on Audible.

I recommended this to a few people now and will continue to do so. One day I hope to have Mare Trevathan read something of mine, based on her performance of this story alone and I remain hopeful that will happen. Give this a listen, it is another example that the best work can be found independently.

Wednesday, 15 March 2017

So I Listened to... Elite: Mostly Harmless.

I had the pleasure of meeting Kate Russell when I attended Shemfest last year, she was an absolutely lovely lady and I hope to shake her hand once again sometime. After that day and after the two-day hangover I managed to get over, I decided to look up her book and see what it was like. I checked out Audible to see if an audio version was available of it and sure enough it was, a bonus was that it was read by Russell herself. I certainly don't mind if an author uses a hired narrator to read their work but sometimes it is nice when the author does it themselves, I found out soon enough that Russell did a great job of it.

Commander Angel Rose is a down-on-her-luck pilot who is frowned upon by her parents, things couldn't get much worse before she is forced into a life of crime and on the run before going on a mission that could well be the end of her. Mixed in with this are a bunch of interesting characters who ever want to help her, probably kill her, and even screw her in more ways than one.

What jumps out at the listener is the effort that has gone into the recording of this audiobook: there are different sound effects thrown in, one voice in particular which is most likely done with some computer help, a little music and even a cameo from David Braben himself near the end. The story, as well as Russell's performance, were motivation enough for me to back her Kickstarter for her next audiobook, and I look forward to its eventual release.

The story is just over eight hours long and was a fun listen, I certainly recommend it to anyone who is interested. I understand Russell not narrating her next work as I've read it can be a draining task, but I hope she does it again sometime; she was bloody good at it and deserves recognition for it.

Audiobooks: A Counter View.

My friend and fellow indie author, Mr. Brian Niemeier wrote an article for his blog in which he talked about his views on audiobooks. I agreed with what he said in the article, people want audio versions of books but do not seem to realize the cost involved in making them. Due to the costs involved and the ACX profit sharing scheme, it can be off-putting for indie authors like him and me to make them. I had the dream a long time ago of recording my own versions of my works but I had certain factors working against me: first off is that there is nowhere in my home that I can go to record properly in where no unwanted sounds can leak in. It would be either the sounds of my children playing, cars going by outside, the TV downstairs, or the sound of my neighbors screwing rather loudly; thanks to the thin walls. Another reason was that I did not have any of the equipment needed to make this happen, it is pricey and so is hiring a studio for the day.

When it comes to audiobooks and indeed Audible, I am appreciative of the market and the demand for these versions of author's material. As I have written before, my brother is a truck driver and does not have time to read so he makes great use of audiobooks; especially when driving. I like to read after I have finished writing but there are times I find it difficult to go from the screen of my laptop to that of my Kindle, so I go with an audiobook so I can relax and just listen. Brian also mentions in the article that narrators overcharge by a lot. He has a good point there.

I have seen authors have to turn to Kickstarter in the past to get audiobooks done and have a certain narrator perform them due to such a high cost. It is very disheartening because as Brian breaks down in his piece, it would cost him twice as much as it did for him to write a book for someone to perform it. He also raises objections by having to share the profits of his work with a narrator via the ACX scheme, I can see his point here totally but I do have some differing views on the whole thing of which I will now go into.

I have heard some great narrators do their thing with someone else's material, Adam Baldwin did a fantastic job with Larry Correia's Tom Stranger, Mare Trevathan also did a fantastic job with Nick Cole's CTRL ALT Revolt!, but I have also come across a couple of bad ones too. I won't name them but with the first, I had a job to finish the audiobook, and with the second... I couldn't finish it and deleted it half way through. These amazing narrators, especially the likes of Trevathan, I would consider it a compliment, even an honor, to have them read my material. When it comes to the ACX profit sharing scheme, if I were making just as much, if not more than a sale of the ebook of my work, then I would be happy with the whole thing. This view can be criticized or debated, sure, but it comes from the place that I do not rely on my writing to earn a living wage, I work full time and often write when I have gotten home but I understand Brian's dislike of it as he is a full-time writer; every penny counts.

This, to me, comes down to a case of each to their own. It can certainly be suggested I am coming at this from a biased position but I guess it is a debate that can rumble on for a little while, I respect Brian's opinion on the whole thing and I know he and I can have a healthy debate about it. Either way, Brian and I share the most important point and that is that our readers matter to us and if they have chosen to spend their money on our works, we will certainly listen to them.

Thursday, 9 March 2017

Harassment Part 3.

I have the feeling that this is a topic I will never really finish talking about. However, I felt this third part of my writing about it needed to be put out there for reasons that will soon become clear.

I have a couple of friends, they are together and a really nice couple too.They are both on Twitter and use it for either fun, serious discussion, or just some banter. They both attracted the attention of a stalker, a rather nasty individual who went after them on various occasions and attempted to get one of them fired from his job by attempting to contact his employer. This stalker, appearing to use two different accounts on Twitter, also went after her for her appearance in photos of her that she had posted on the site. Despite numerous reports filed against the accounts in question, they are still tweeting abuse and harassment at the time of writing this.

I found out about the whole thing by accident and offered whatever support I could once I did, but realistically there was little I could do except be there for them. Twitter's Safety Council had obviously failed them so last I had heard, they had involved the police in the matter and are hopeful that they track this low life down.

So, why did I write this piece?

I chose to write this because I admired the way the two of them chose to deal with the whole situation. Neither of them screamed from the rooftops that they were being harassed, they did not plaster it over Twitter like many of the modern feminists do, they did not open a Patreon and appeal for donations. Did they even blame it on Trump or Brexit? No, they dealt with it quietly and privately as possible. Brad Wardell once said that "Trolls adjust their flames to burn you accordingly" and that appears to be what this little shit is doing, but I have an idea that the police knocking on the door will change their mind.

I admire that neither of them played victims in this because it certainly is the trend these days. I can only hope that this situation ends soon for them but I know I can do no more than to offer my support and be there if either of them needs to talk. Harassment is an ugly thing but when it is tackled properly and not by adding fuel to the fire, it could become a minor itch in life and not the problem it is now.

Names were purposely withheld from this article for protection and respect of those involved.

Tuesday, 7 March 2017

So I Watched... Logan.

This was a film I had been looking forward to seeing for some time. Those who have read what I've written before know that I am a massive Wolverine fan, but really am not a fan of his replacement. Part of me was wary going into this because of X23 being in the film but since as this was Hugh Jackman's last turn as Logan, I was willing to deal with it.

To sum up the story without any spoilers, Logan is now an old man and not in the best shape, he is aging and his healing factor is not working as well anymore. He cares for Professor X, even older and suffering from a neurodegenerative disease and cannot control his powers without the aid of drugs, with the help of another mutant named Caliban. He is introduced to X23, who turns out to be his clone, whom he has to protect from a group called the Reavers, and get her to a safe place.

That is all I'll say about the story, but the film itself is amazing and in my mind, serves as a template of how to do a superhero movie properly. I can only guess that director James Mangold sat down with the studio and said that he wanted blood, gore, and swearing in his movie; they obviously agreed. It is a more satisfying movie as a result, anyone that comes into contact with either Logan or Laura's claws doesn't come away well and its a nice change from the kiddy friendly efforts of before. I can honestly say that had this not happened in the film, it would not have been such a good end result in my mind.

As for X23? I am happy to say that she was brilliant in the film, especially when she starts fighting. The writers of this film did a better job with the character than has been done in her current comic, but then again that was probably not too difficult. Dafne Keen does an amazing job as Laura Kinney and I could find no place in the movie to criticize her, my only hope is that perhaps the writer of All New Wolverine could take some notes from the performance. I say that because I'm pretty sure the only reason that series is still going is because of its name as when X23 had been in a series of her own before, it had been canceled due to low sales.

Knowing Hollywood, they will probably reboot Wolverine with a different actor but I doubt I will watch it; Jackman's performance cannot be beaten in my mind. I can only hope that if X23 gets her own movie that they will not soften the character for a younger audience but the cynic in me thinks otherwise. I will not watch another X-Men related film as I think they have squeezed too much out of the franchise at this point. I will happily sign off with this one, just like Hugh Jackman did so well and will certainly buy it when it comes out on Blu-Ray.

Wednesday, 1 March 2017

So I listened to... The Adventures of Tom Stranger, Interdimensional Insurance Agent.

This audiobook was my first taste of Larry Correia, a recording of one of his novellas, and one hell of a fun and humorous story. I will always remember this with a chuckle as I was listening to this whilst on the rowing machine at my gym and I kept laughing and losing count of what I was doing.

The story is a funny one. Tom Stranger, the hero of the story, hops between dimensions dealing insurance with various races and acquires himself a new assistant along the way; but it turns out to be the wrong one. His proper assistant has been stuck behind a desk somewhere, this one has a... gender studies degree and occupied a street once. To tell any more would spoil the story but it is one of the funniest things I've heard in a long time.

The best part? It is narrated by the one and only Adam Baldwin himself, and his effort is nothing but perfect. The humor in this story is given a wonderful layer of icing on top of it by some of the tones he uses, especially when talking about the previously mentioned gender studies degree. To repeat what I said earlier: it really is one of the funniest things I have heard in a long time.

The audiobook is just over two hours long but this is reflected in the price, but if you are using Audible's monthly credit system then that really isn't a worry. Pick this one up, it's a great listen.

Saturday, 25 February 2017

Marvel Coming Back?

I'm a little late to the table with my take on this story but I have been busy writing my book but none the less; here I am. I've written numerous times about my feelings about what has happened to Marvel comics and thought I was done with the subject and superheroes in general. A story popped up in Bleeding Cool News by Rich Johnston, a man I and others find quite loathsome, regarding the direction Marvel would be taking under new lead writer, Marc Guggenheim. He suggested that a lot of the politics that had been shoved into the various comics series would be "tabled for the time being."

I looked at that line and had my hopes raised for a moment as it appeared that finally, someone saw that the company's sales had gone downhill quite badly and that they needed saving. DC obviously saw this and have avoided it after the Rebirth storyline, Marvel managed to get the number one spot in last month's sales but only because it was a new title, previous months had not been so kind to them. Plenty of Marvel's titles have been canceled and will probably be canceled as a result of their poor sales, the most recent one being Patsy Walker Aka Hellcat. Kate Leth, the series writer, tweeted about this with what appeared to be a hint of arrogance, which I would have linked here but she has me blocked and we've never spoken before. She claimed the series would be finishing on "our terms", something I struggled to believe as her series sales numbers had dropped lower than that of Angela Queen of Hel.

In the past, Marvel has dealt with some politics in their stories, such as drugs and 9/11, and do so with some good writing and subtlety, but it got so heavy-handed with all the left-leaning crap that its audience went somewhere else and took their money with them. I was one of those people and although I think this news of a reform is great I still cannot bring myself to buy any of their stuff again. Why? Because I simply do not trust them anymore.

Their story telling became lazy, the artwork too cartoony and they either changed their characters' race or gender to appeal to the PC crowd. However, they didn't realize one important detail: a lot of that crowd may complain for more women characters etc in comics but they certainly do not buy them. This has been reflected in the sales and I am pleased to see someone doing something about it, but for me it is too late. I will not give them my money anymore for fear of being burned again and especially with the recent bizarre news of some Hulk and Wolverine hybrid.... Really?

The thing is that I can look back on this and tell myself that I tried, I tried to get onboard with this when I was buying All-New Wolverine but in the end, I just could not do it. For those who read their comics and enjoy them, I will not knock them as at least someone out there is. For me and a lot of other people out there it seems, Marvel died a quiet death a long time ago and I doubt it is a death that they will come back from.

Tuesday, 21 February 2017

So I Listened to... The Ables.

Audiobooks are something I think fondly of these days. I listen to them quite often as once I have finished writing, there are some days I do not feel like going from the screen of my laptop to that of my Kindle; so listening to something from Audible is much more appealing. As I have previously written, my brother enjoys audiobooks and listens to them in bulk due to his job as a truck driver. I hope one day that my own work will be available in audio format so that he and others have the choice of either them or the written book.

One of the first audiobooks I ever listened to was The Ables, written and narrated by Jeremy Scott, one of the men behind the Cinemasins Youtube channel. I think back on this story with great affection as it was a story that picked up its pace gradually as a group of disabled children, who find out that they have super powers and live in a town full of superheroes, are pulled into a threatening situation which could well kill them and everyone they know.

Scott has obviously paid attention to the films he has given sins to over the years of his popular channel and it shows in his story. Tremendous thought has obviously gone into the plot and I was caught off guard several times during the course of the story. I loved it, especially the two huge revelations towards the end. Scott has tweeted that he is writing the sequel and for me, it is a guaranteed sale.

One thing that does let a lot of audiobooks down is the narrator but with this one, it is obviously not an issue. Scott narrates it himself and his performance is brilliant and again, his narration has obviously been perfected thanks to his channel. He does so with a relaxed voice and when the more tense scenes come along, the shift of tone in his voice is gently done and comes across really well.

The audiobook is just shy of ten hours long, a good length in my opinion and certainly worth either the purchase or the token Audible gives out once a month, depending on your membership. If you like a superhero story with plenty of twists, where the characters are under genuine threat and nothing is guaranteed, I advise you to check this one out. One could only hope Marvel could listen to this story and learn something from it, but I guess that would be hoping too much.

So I Watched... John Wick: Chapter Two.

Seeing this film at the cinema with my wife marked a sad historic occasion for me and her, and for the cynics reading this; I do not mean our wedding anniversary. Our visit to the local cinema to see John Wick 2 was the first time we had been there for a year as there had not been anything come out that we had been interested in seeing. It was nice to break that absence and this movie was the perfect choice to do it with.

We had watched the first one at home and really enjoyed it. We said to ourselves we would see the second if and when it came out, I am happy to write that number two is not only better than the first, it achieves this without changing the formula of the original.

Once again, John is trying to live a quiet life but an old debt comes knocking at his door and he is forced back into the dark world of assassins and contracts, but the debt he owes comes with a double cross which, against someone like Wick, is a really bad idea as the main antagonist certainly finds out.

At the time of writing this, Keanu Reeves is in his fifties (52 at the moment) but you would not believe it to look at him. Not only is his acting of the character deceptively gentle, but his fight scenes are a visual wonder. Other stars such as Common, Ruby Rose, Laurence Fishburne, and the brilliant Ian Mcshane are wonderful to watch in this film, it's ending pretty much saying a third will be on the way. I would consider saying this would be Reeves' Taken style trilogy, but that might not be fair as Taken was brilliant, two was pretty good, and three was below average, especially as you could tell in the last one that Liam Neeson really is too old for that shit.

There is not much more I could write here to praise this film except to say that you really need to see it. We appear to be in an age of reboots, remakes, and poor sequels. Thankfully, the John Wick series appears to be avoiding the latter trend and that is a breath of fresh air indeed.

Saturday, 21 January 2017

So I Watched... The Red Pill.

This piece is about my thoughts on it and will avoid spoilers as much as possible. The copy I watched was the digital copy I received for backing it at the $25 pledge level.

Before this film came along, I was only mildly aware of Men's Rights Activists and their cause. I did not ever consider myself one and nor did I much care what they had to say or what they fought for. With that in mind, why would I back a Kickstarter for a documentary, made by a feminist, to take a fair look at the Men's Rights Movement?

I am a happily married man. I have four children with a woman who knows me better than most people ever have and puts up with my faults because she loves me too. I have seen men I have known go through either bad experiences with women after relationships have ended and come out worse off; that influenced my decision to back this Kickstarter.

Two men I knew had children with women who claimed to be taking the pill, both relationships ended and the child stayed with the mother but both cases went in different directions. One moved far away because he had not wanted to be a dad and didn't want the responsibilities of it and the other ended up having to fight to see his child after the mother moved away. In both cases, myself and other onlookers found it extremely interesting that both the woman had fallen pregnant when they did. Especially as both of the relationships were on very rocky ground and looked like they were about to end.

Another guy I knew had a child with his girlfriend but the relationship came to a bad end, due to too much fighting between them. After they parted company, out of spite she moved to a different town with the child and didn't tell him. When he eventually found her, he had to pay a stupid amount of money to a solicitor just so he could get regular visitation rights to his child; the mother received no punishment for her actions. A friend of mine had a fight over phone with his ex girlfriend over a toy he brought their daughter, when the argument looked to be going his way the mother denied him access to the child as a way to hurt him. This eventually was settled but he never forgot it. A guy I once worked with had an arrangement in place with his ex wife that he would pay a set fee to what ever their child needed as he could not afford too much, and she knew that. Without telling him, she contacted the Child Support Agency without telling him as she had decided she needed more money. One night at work, he opened his payslip to discover over half his wages had been taken; crippling him for quite a while.

Another one was with my brother. He and his wife split and she had their daughter, it was hard for him but they hard worked out an arrangement which suited both of them. She then had the bright idea of moving far away to start a job she wanted, in order to see his daughter he would have to travel in the car for three hours each way and he simply couldn't do that because of his working hours. She eventually settled on travelling back every other weekend but after a while she tried to change the arrangement because it didn't suit her. Eventually she moved back and he got to see his daughter more often, although I did my best to keep my nose out of it I was pained to see him go through this. To say I thought very unkindly of her would be putting it mildly. The final example is probably the one I try my best not to think about but it is always there.

Andy was a guy I had once worked with, he was a cocky type of guy but you couldn't help but like him. I did not know him as well as the others but we spoke here and there, when his wife of a couple of months decided that she didn't want to be married to him anymore and threw him out, the pain on his face was quite evident. I had heard at one point that she was dragging his name through the mud to deny him access to their children but I had chosen not to ask him about it, it was none of my business. One Monday night, we learned he had killed himself. The atmosphere that settled over the workplace that week was one I will never forget, I don't think I ever. My manager read out a statement on the company's behalf, behind his glasses I could see tears in his eyes and that shook me. The station I was working at, Andy would come past every shift and say Hi to me. All that week I kept looking around to see where he was.

It was because of those examples I decided to back the documentary.

The final product is a great one and Cassie Jaye should be proud of what she has made. Her interviewees tell their stories with no interruption and a lot of the stories told by these men in it about the fates that they have ended up with really disturbed me. Jaye shows some of the video diaries she made during the production and it was a nice touch, especially as she was questioning what she was hearing in parts of them. I watched them and understood why she was conflicted but in the end, the men that were being interviewed were the ones who came out better when the light was shone on them. The radical feminism on display from those against the MRAs was horrible to watch, especially the protesters at the Warren Farrell talk and they way these people talk to police and those attending the event. Various stories throughout the documentary left me feeling very cold and one scene near the end, involving a young baby boy, nearly made me stop watching it as I felt physically sick and had to turn away. That scene alone is the one issue I had with the documentary and as a result I do not know if I can watch it again.

My only fear of this documentary was that it wouldn't be fair to the men involved but I was pleased that it was as fair as it possibly could be. I respect Cassie Jaye for that and if she keeps this approach up then she will continue being a fine film maker. One thing mentioned in the documentary is when the MRAs try to have these discussions, they are shut down or prevented from doing so. The irony of this happening to Jaye when it became clear to many that her film would allow them to tell their stories is inescapable. Nasty pieces have been written about the film, showings of it have been shut down in various countries, and bloggers like David Futrelle did his best to attack her over the film, it's content, and who backed it. The fact that this was pretty much predictable when the film was being made and released, to see how many people wanted this film either shut down or silenced; that saddens me to no end. The fact that she had to go to Kickstarter to fund the film so that it could see the light of day is probably a sign of the times and I would hope certain people in the media are ashamed of themselves.

I hope she continues to make documentaries like this as she clearly is a skilled film maker and I respect her for it. Hell, if she has to do another Kickstarter because of a similar situation with funding she can count me as a backer. Finally though, I will end this with a message to those who would do their best to silence people like Cassie Jaye and hope some of them take it on board; it is a quote I am sure a few of you will recognise.

When you tear out a man's tongue, you are not proving him a lair, you're only telling the world that you fear what he might say.

Saturday, 7 January 2017

So I'm doing a Kickstarter...

This was something I had been thinking about for a while, it is a bloody big step for someone like me to try and take so it is not something I do lightly. Why would I want to do this? Well, please allow me a moment to attempt to explain it.

I am now more than ever putting more effort into my writing. So far I have a short story and a novel on Amazon but I want to get more work out there, but of course this all takes time and in some cases; money. I am also an independent author, someone who has to pay for editing and covers all by themselves and obviously that is quite a hill to climb. I took inspiration to try my own Kickstarter from an author named Robert Kroese, someone who is quite a successful indie author and even wrote a book about it which I have read. He has done numerous Kickstarters for his work and they have been very successful, I even backed his latest one because it sounded so awesome.

But why do mine? Well first off, I can pay for an awesome cover for the book which will be done by Peta Lynn Fraser, the same lady who did the cover for Nomads. I like Peta's work to no end and will no doubt be using her for every cover in the future, for those interested here is her page on DeviantArt. Editing is, of course, the big one. Nomads was not edited that well and I still kick myself for that, so I decided to make sure that it would be done properly with this book. At this point, Brian Niemeier steps into the equation. A friend of mine, fellow indie author, and Dragon award winner for his book Souldancer; as well as a hell of a nice guy. I asked Brian if he would do me the honor of editing the book once it was finished and he said he would, depending on his schedule, and if he is unable to do so then I will use the service offered by Amazon.

The best part of this for me would be bringing an audiobook option into the equation. I was referred to the services of JimFear, a voice actor and audiobook producer who offered me an audition of his work earlier this month. I was blown away by it and said that we should work together. The Kickstarter will enable me to pay him to record and produce the audiobook of the finished product so I can put it out there for people like my brother, a man who does not have time to read but listens to audiobooks regularly. Of course, I have to get the book finished so let me assure you that I am working hard to do that.

I suppose that this blog entry is my sales pitch in a sense; before I even set the Kickstarter up but I assure you it will happen. I will finish this up by not only thanking everyone who reads my blog and hopefully will continue to do so but by showing you a rough draft of the cover which Peta is still working hard on. Take care.

Thursday, 5 January 2017

So I Read... Animosity.

It is no secret to those who know me or who know what I have said before that I held Angela Queen of Hel in utter contempt. I read the series (all seven issues) for a review of it I wrote for when I was part of the site; I was not kind to it. I scored it one out of five and wrote that it was some of the worst writing I had ever seen in a comic series, it is a view I stand by to this day and will never change. I was not alone in how I felt about the series either, the YouTuber Mundane Matt did a couple of videos on it where he talked about its writing and its ultimate cancellation, they were good videos and I enjoyed them. I hold no ill will to the writer of that series, Marguerite Bennett, but those seven issues I would guess have not done her any favours in the long run.

With that said, I had a conversation with one of my friends and fellow indie authors, EJ Spurrell and he recommended Animosity to me as he had been reading it. It was a funny conversation and it went basically as follows:

"Hey, you should really check out Animosity. Its a comic from Aftershock Comics and its really good," he said.
"Who writes it?" I asked.
"Marguerite Bennet," he said.
"Isn't that the writer who did Angela?" I asked cautiously.
"Yeah it is."
"Ok, why would I want to read that?"
"Because its really good!"
"No, seriously, why would I want to read that?"
"Like I said, its really good!"

I really was not convinced but none the less, I looked into it.
After an event known as "The Wake", all of the animals on the planet suddenly show their personalities as if they were concealed, they can speak like we humans do, and most show a lot of hatred towards us in the process. This leads to fighting between the two species and it is not pretty, caught in the middle of this is a young girl called Jesse and her Bloodhound called Sandor as they travel to find a safe place to live and escape the violence.

I not only enjoyed what I read, but I couldn't believe that this was coming from the same writer behind that dreadful Marvel series. It has been written with care and some brilliant dialogue, especially from Sandor when he describes how it felt for him after The Wake but I will not spoil that here. Bennett also pulls off one of the best cliffhanger endings to a comic (issue 3) that I have seen for quite a while, it had me counting down the days until issue four's release. Bennett has crafted a story where it has two main characters that I have found myself really rooting for, and she has done this without any unwanted politics finding their way in. That alone makes me praise her to end and she deserves it. The artwork by Rafael de Latorre is also wonderful to look at, especially with the looks Sandor gives from time to time and the innocence of Jesse which will no doubt play a big part in the story. The series is obviously a popular one as well as the first issue is currently on its fifth printing and that is something I haven't seen happen for a while. This series serves as yet another reminder to me and hopefully other people out there that the better content is coming out via the independent publishers; it is so pleasing to see.

What lets the series down is the same thing that I have seen happen with so many others: the variant covers and the ridiculous amount of them. Don't get me wrong as some of them are nice, but between the first four issues (at the time of writing and not including the reprints) there are seventeen different covers available and that is a silly amount to have. I understand that perhaps variants are a way to show off new talent and so on but that number really does need limiting.

I liked being surprised these days and Animosity has been one of my favourites. Perhaps it is harsh of me so say but it does appear Bennett learned a lesson from AQOH and has come up with something brilliant as a result. I have added Animosity to my standing order at my comic shop so that I do not miss an issue, I really hope it continues as I want to see the adventures of this young girl and her guardian dog.

Anyway, I must go now.
My wife is calling me to come downstairs, our Chinchilla is giving her some evil looks and is trying to open its cage door....